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8 Sappho of Lesbos

Nahir I. Otaño Gracia and Averie Basch

Ancient Greek

Born c. 630 BC Eleventh Century

Sappho of Lesbos was one of the earliest recorded female poets of the ancient world. While there were doubtless other poetesses around and before her time, much of the evidence has been lost. For Sappho, historians have unearthed a number of fragments of her poetry, with the most recent piece discovered as recently as 2004. Plato, another noteworthy Greek writer, hailed Sappho as “Tenth Muse” out of respect and admiration for her artistry. Though Victorian tradition attempted to rewrite her as a tame heteronormative woman, Sappho has been and is today celebrated as a queer icon for her devotion to exploring themes of erotic female love.

Born into an aristocratic family on the island of Lesbos, Sappho was able to devote her time to the arts thanks to her wealthy status. Little is certain about her family, but most scholars recognize that her mother was named Cleïs and that later, Sappho named her own daughter in honor of her mother. The family lived in the city of Mytilene but spent a short time in Sicily while in temporary exile. Later, Sappho married a man called Cercylas, with whom she had her only child, Cleïs. Though she was in a heterosexual marriage, Sappho’s poetry often depicts love between women. In fact, the terms “sapphic” and “lesbianwhich are derived from Sappho’s name and the name of her home island are used to describe homosexual female love.

At a time when most poetry was written in epic form and modeled as if they were spoken by the gods, Sappho was revolutionary in her poetic style, which was written in the first person and focused on human emotions, mainly on love. Her poems followed what was later called the “sapphic meter,” was performed orally, and was accompanied by lyre music. In addition to composing her own art, Sappho ran a poetry school for young women. Her work was so influential to her own students and to later writers such as Ovid that her likeness was even printed into currency. Most of Sappho’s works were lost to time, though historians argue that Pope Gregory VII purposely burned her surviving art in the eleventh century on account of the legend that she was lesbian; most scholars would agree that her work reveals her romantic love for other women.

Sappho’s poetry explores ancient Greek attitudes towards love. It is worth noting that the Greeks recognized many different types of love, including familial love (storge), affectionate love (philia), sexual love (eros), selfless love (agape), and enduring love (pragma). Sappho does not just write on romance but also expresses motherly love for her daughter. In addition to celebrating humanity, Sappho honors the gods in her art, particularly in her famous “Ode to Aphrodite.” Aphrodite is the goddess of love and sexuality in Greek myth; she and her son Eros can be seen as deities or personifications of love. It is no surprise that these names appear in romance poetry, but they are not the patrons of just heterosexual love. Homosexual love both between men and between women was hardly unheard of in ancient Greece, evidenced not only by Sappho’s poetry but also in other poetry and myths of the time.

Sappho of Lesbos

Read Sapho’s poems here:

https://www.uh.edu/~cldue/texts/sappho.html

EXERCISE:

Mad Lib: One student acts as the “reader” and asks the other student to come up with words to fill in the blanks with adjectives, adverbs, and nouns. These words are inserted into the blanks and then the new poem is read aloud. Switch places and do the new poem. Remember that a noun names something such as a person, place, thing, or idea; an adjective describes or modifies the noun; and an adverb modifies or describes a verb, an adjective, or even another adverbs.

 

Example:

The     fluffy      cat      ran     quickly.

article adjective noun verb adverb

 

Sappho 31

That _______________ to me seems equal to the gods,

                noun

the ________________who sits opposite you

      synonym to first noun

and close by listens

to your __________ __________

adjective     noun

5 and your enticing ____________—

noun

that indeed has stirred up the ____________in my __________.

Noun (feeling)                  noun

For whenever I look at you even __________

adverb

I can no longer say a single thing,

but my ______________is frozen in silence;

                       noun

10 instantly a _______________runs beneath my skin;

noun

with my eyes I see nothing;

my ears make a _______noise.

                         noun (sound)

A cold sweat covers me,

trembling seizes my body,

15 and I am ______________than ____________.

comparative adjective        noun

Lacking but little of _________ do I seem.

                                       noun

 

Sapho 16

Some say an army of ________,

noun

some of ___________, some of __________,

                          noun                                   noun

is the ___________thing on the _______earth,

Superlative adjective                     color

but I say it is what one loves.

5 It’s very easy to make this clear

to everyone, for Helen,

by far surpassing _______in ______________,

Noun (group of people)         Noun (Physical or character trait)

left the best of all husbands

and sailed to Troy,

10 mindful of neither her child

nor her dear parents, but

with one _______she was seduced by

Noun (action)

Aphrodite. For easily bent…

and nimbly..._______

                     action verb

15 has reminded me now

of ___________who is not here;

Noun (woman’s name)

I would much prefer to see the lovely

way she ______and the radiant glance of her face

            Verb (present tense)

than the ______ of the _____________or

                          noun             noun (group of people)

20 their ________ in _______.

Noun               noun (type of bond)

 

FURTHER READINGS

For a reading of Sapho’s poetry by theatre artist and award-winning audiobook narrator, Kate Reading (translated by Diane J. Rayor) see:

https://www.cambridge.org/highereducation/books/sappho/6AA37FEF8D846985479CF107B2E6CD16/resources/audio/2BB621ADDC1A33F365D5AD0C12AEAC84

See a coin with Sappho’s likeness here: https://www.britishmuseum.org/collection/object/C_BNK-G-510

For a general overview of the terms Lesbian and Saphic see:

https://rcsgd.sa.ucsb.edu/resources/lgbtqia-informational-resources/lesbiansapphic

FOR INSTRUCTORS

See Caroline Rothschild’s Teaching with Sapho for a lesson plan that includes a poem and a power point:

https://queeryinghistory.wordpress.com/2020/06/29/sapphos-imagery-lgbt-lessons-1/

License

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Early World Literature: A Restorative Justice Approach Copyright © by Nahir I. Otaño Gracia and Averie Basch is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.